Introducing a new book by one of NWAC founding members on the textile traditions of the North Atlantic, from the Viking Age to the Early Modern Period. To be published on November 3rd, 2020 with University Press Florida.
“An impressive presentation of Viking Age and medieval textile production in the North Atlantic, especially in Iceland and Greenland. All aspects have been examined: methods of spinning, weaving, dates, yarn, contemporary climate, as well as who did the work and for what purpose.”—Birgitta Linderoth Wallace, author of Westward Vikings: The Saga of L’Anse Aux Meadows
“Hayeur Smith’s careful research undergirding The Valkyries’ Loom demonstrates how well she knows and understands the cultural and gender significance of textile analysis. Fascinating to read.”—Joanne B. Eicher, editor of Encyclopedia of World Dress and Fashion
In The Valkyries’ Loom, Michèle Hayeur Smith examines Viking textiles as evidence for the little-known work of women in the Norse colonies that expanded from Scandinavia across the North Atlantic in the 9th century AD. While previous researchers have overlooked textiles as insignificant artifacts, Hayeur Smith is the first to use them to understand gender and economy in Norse societies of the North Atlantic.
This groundbreaking study is based on the author’s systematic comparative analysis of the vast textile collections in Iceland, Greenland, Denmark, Scotland, and the Faroe Islands, materials that are largely unknown even to archaeologists and span 1,000 years. Through these garments and fragments, Hayeur Smith provides new insights into how the women of these island nations influenced international trade by producing cloth (vaðmál); how they shaped the development of national identities by creating clothing; and how they helped their communities survive climate change by reengineering clothes during the Little Ice Age. She supplements her analysis by revealing societal attitudes about weaving through the poem “Darraðarljoð” from Njál’s Saga, in which the Valkyries—Óðin’s female warrior spirits—produce the cloth of history and decide the fates of men and nations.
Bringing Norse women and their labor to the forefront of research, Hayeur Smith establishes the foundation for a gendered archaeology of the North Atlantic that has never been attempted before. This monumental and innovative work contributes to global discussions about the hidden roles of women in past societies in preserving tradition and guiding change.
Michèle Hayeur Smith is research associate at the Haffenreffer Museum of Anthropology at Brown University.
Greg Rebis, cover illustration based on the Darraðarljóð, from Njál´s Saga. http://greg-rebis.squarespace.com
3 Comments Add yours
Do you have an idea of how much of this cloth production was woven? Especially in Iceland? Very little weaving there, right?
Thank you, Sara Hotchkiss
It was woven extensively in Iceland, so much so that it was currency in Iceland. It was called vadmal (vad- cloth/ mal- to measure) it was always a 2/2 twill z/s spun. There are so many textile remains archaeologically easily between 8000-10 000 fragments and these remains testify to its importance within Icelandic society.
It was all woven in Iceland, from the Viking Age to the early modern period, there are approx. 8,000-10,000+ fragments of actual cloth from this 1000 year time span. It is an impressive collection and all woven by women.